The surprise success of this surreal duo proves cinema remains a powerful cultural force and suggests audiences want more than franchises
The surprise success of this surreal duo proves cinema remains a powerful cultural force and suggests audiences want more than franchises
Look at the 1991 Oscar best picture nominees and ask yourself if any movie in the last decade is even comparable.
Not hard at all. I can already tell you I liked Everything Everywhere All at Once (this year’s BP winner) way more than Dances with Wolves.
1991 is a uniquely weak year for the Academy though. You might have had a stronger argument with 1994 or 1995, but I can still think of plenty of movies released in the last decade that I would rank up there with Schindler’s List or Pulp Fiction.
Bickering about dumb movie stuff really makes me feel like the internet is healing after reddit. 🌞 It’s good to be back.
Go ahead and make that list if you’re so inclined. On par with Pulp Fiction? Come on. This has got to be good.
I’d say Sicario is up there on my list
Some random personal favorites of the last 10 years off the top of my head, in no particular order
Can’t comment on Oscars, but 1999 was a wild ride.
Can’t even copy/paste all this:
https://www.imdb.com/search/title/?year=1999&title_type=feature&
The studio system broke down in the late 2000s, between China becoming a market and the massive, MASSIVE flood of money from lotr, HP, marvel and other similar copypasta franchishes the pressure for sequels and the like exploded, and independent directors lost a lot of their room to experiment.
Streaming is the second half, everybody wants something with a long tail, ie you can recognize it from the Netflix catalog, which pushes harder for sequels and franchises