Joined the Mayqueeze.

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Joined 3 years ago
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Cake day: June 12th, 2023

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  • There are two views on this: language creates grammar after the fact, those are rules, we need to stick to these rules, and this be the hill I die on.

    The other view is more liberal. Native speakers don’t care about these rules and naturally deviate from some. Not all, not all at once, and not always to an extent that is recognized by the majority of speakers. But occasionally, certain uses make it. The use of the past tense in constructions that by the laws of grammar should require the past participle is a feature of Black American English. The popularity of hiphop and rap have spread this all over the world. With the now much derided term “woke” it has even reached other languages.

    By heart I’m a narrow minded stickler for the rules myself. The nonsensical use of “literally” still makes me mad. But that horse is so far out of the barn you can barely see it on the horizon. Fighting the fight for clean past tense/past participle separation may be one against windmills.

    English as a Germanic language comes from a protolanguage that probably only had irregular verbs in the vein of sing-sang-sung. Over time, and probably out of desperation by people who needed to learn it as a second language via migration and mingling, the verbs we now consider regular (team -ed) came about later. Language changes. English is living proof with its spelling making no sense at all and clear influences of Viking and Norman invasions and the spread around the world via the Empire. American English made spelling changes. Indian (Asia) English developed its own unique characteristics that may deviate from the King’s version. There is such a thing as EU English where you can see what happens when mostly non-natives go to town in it.

    Grammar came after the spoken version. It’s like a constitution that can be changed by quiet, gradual consensus.




  • I have a feeling if he had always turned into a Tarkasian bear for battle, fans would have complained that he is too much like the Hulk.

    I think they landed on this idea and the sufficiently large budget for the CGI too late but the tentacle throwing golden blob is an interesting battle form.

    Isn’t it funny how the production technology informs the storytelling? I heard that TNG in the first two seasons had a price tag of something like 5000 dollars per hand phaser beam so they used almost none. In S7 they shoot 100 times willy nilly in Gambit and hit almost nothing, no problem. Odo in S1 morphs in the pilot and then almost never on screen for a long time. And by S6 or 7 they’re like, sure, morph him into fire, fog, or an emu, wgaf!



  • Thanks for writing that. It’s quite long but I can see your point. I’m relieved that you didn’t just read two headlines and sent him to the digital gallows. Personally, I don’t reach the same conclusion as you. If you’d say in reply my standards were perhaps lower I would not disagree with you. As I wrote before, this is not enough for me. Weir is not a saint. I heard hin trash talk his own follow-up to the Martian in an interview when Hail Mary came out. He knows he’s not Asimov or Dick. Or Shakespeare.

    In terms of what science fiction is best at doing, we don’t appear to be that far apart. Allegorical storytelling is great. That’s why I mentioned Picard S2 where there is none of that. They have characters sit in ICE detention or looking at the burning mountains in 2020 and say this is shit (which, of course, it is). Zero allegory, all in our face virtue signaling. Virtues that I find valid but in a sci-fi story told in a very literal (read: shit) way. Politics overrode good story telling. (Then again, it was the pandy, there are extenuating circumstances.)

    You don’t have to answer this; I’m just curious. How is your enjoyment of 90s Trek knowing that Rick Berman was involved? I’d argue he’s a far bigger sob than Weir.







  • I have recorded songs off the radio onto cassette. I have made mix tapes. First off records, later CDs. There was a general trade going on at school among friends. Somebody would get a new album on tape or on CD and when the owner had listened to it enough times it would make the rounds so people could record it for themselves. Musical socialism.

    I have made Minidisc mix tapes as well. I went as far as recording concerts from VHS onto Minidisc. Adding track names was harder than T9 texting and took fucking ages.

    I ripped and burned CDs, some of them are still stashed away in an attic somewhere.

    I don’t remember the infancy torrenting service that we used around the turn of the century. It wasn’t Napster. I also made mix tapes of downloaded songs onto CD. To play more easily because there weren’t any iPods yet but everyone had a stereo.

    Now I stream the music I used to steal. Can’t feel great about it because I know the artists get next to nothing for it.

    I miss having a good stereo. Now it’s crappy phone speakers or compressed Bluetooth shit.