I think they also have an EMP effect that can damage ship/sat electronics.
But, like the internet, a sub is a series of tubes. You have a big horizontal tube that the people and the engine lives in, and you have vertical ones where the things that blow up cities live.
I mean, there are optional smaller horizontal tubes, but I feel like if you’re going to launch a sub into space it really ought to be one of the big ones. Maybe it’s just a Freudian thing.
At some point, sound mixing just went to shit. My partner was in the industry working in post-production and agrees with me. The sfx are loud and the dialogue is not - thus all of the smart tvs and settop devices supporting features like “Dialogue Boost.”
I used to notice it a lot with poorly managed concerts - the singer’s mic would get drowned out by the instruments. I guess all the people who were responsible for that moved to LA.
But now I have a soundbar and two HomePods as speakers, and still turn on subs. And that might have something to do with the number of concerts.