why oh why does every character has an “archetype”?
It is possible to commit no mistakes and still lose. That is not weakness; that is life.
Jean-Luc Picard
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why oh why does every character has an “archetype”?
like, how many Star Trek communities do you need, right?
the best thing Disney can do for Star Wars now is to give an extremely large sum of money to Tony Gilroy, and step away.
that’s cool and all but when are we getting Jellyfin for Tizen on the Samsung TV app store? That’s the only thing stopping me from switching, I don’t want to deploy it myself
and the partner still prefers Netflix, because they hate to think what they want to watch
oh, didn’t notice that the implicit assumptions stopped at “meeting an alien race”
if they say “Moll and L’Ak” one more time I’ll have a aneurysm.
I’d be interesting to see what’s the cut for each service, like, is it really that advantageous to get your crowds to subscribe via Patron instead of getting a Twitch subscription?
well, it does say that it was approved by the VA union, so maybe it’s something good?
if it’s royalty based and they get paid everytime they have someone use their voice model to say something, by all means, pay them.
Prodigy kept getting better and better with each episode, I hope the next season keeps that momentum
https://github.com/mautrix/imessage https://github.com/beeper/barcelona these are the core processes used to connect to the iMessage service
wondering if all this investment they’re doing on voice is going to have diminishing returns, like, the whole pitch for HA cloud integration is that you could see and use your HA devices with your cloud enabled voice assistant services, right? Nabu Casa makes money for the HA project. is getting rid of the middle man worth it? I needed some first hand experience to convince myself about getting into it or just simply keep paying for NC
I’d say 4/10.
One remarkable thing was that it paved the way for SNW.
All other captains were more interesting captains than Burnham, and that’s sad, because they were removing them so fast. The happiest point for me was when they made Saru captain, only to remove it later.
I’m ok with Klingons, I think it’s ok that each Star Trek generation rethink their visual language.
They told some good stories.
“Computer, one human arm, medium rare”
I mean, there’s also a DLNA browser built in which I can browse my media with, but what we are looking for is a Jellyfin/Plex experience right?
my personal excuse is that I have a Samsung TV and there’s no Jellyfin app yet on the app store (I don’t want to side load)
I don’t want to sound like a pessimist but the Internet has never been the open grass field that the OP paint. Everytime you connect to the Internet, you’re connecting to a server that some entity is providing, through a connection that another entity has set up. Even this Lemmy instance is paid by somebody’s pocket. Servers and network infrastructure have always represented cost to providers. Maybe in times of olde when AOL and others offered services attached to their core service, we had services that were directly paid by the fee we paid for the connection. The owner of this Lemmy instance don’t see a dime of what you pay you ISP.
I know this is not at the core of this discussion, but if content is something that entities find valuable and somehow, the owner of this instance can directly receive monetary incentive from me to keep posting these inadequate long texts, by all means, I’m happy to be part of training data. I type this while I’m bored as hell and need my upvote-provided dopamine hit. I will be the grass on the field.
agreed, the Enterprise always stops the warp engine in front of another ship’s debris. Ton of stories about manouvers with pilot names, tons of situations where the ship weapons doesn’t work so they have to resort to diplomacy, and we’ve always looked at this world from the perspective of one ship. I’m pretty sure the rest of the captains are more Jellico than Picard
hey now, why don’t we take a relaxing mud bath and we talk about it later?
the movie is just a long take of a young James T. Kirk driving a convertible while listening to the Beastie Boys. The movie ends as he drives it into a canyon.
I’d probably watch it