”…the show failed to find its significant audience.”
Put a show on a streamer that is targeting a completely different audience, and let the entitled vocal fans run wild with unchecked brigading, and then be surprised by low “crowdsourced” ratings.
Sigh.
This is depressing, if accurate, in that it may also be a signal that the new owner is looking for a new production company to manage the franchise just when things had finally and consistently stabilized with Secret Hideout.
I’m not hopeful for an SNW continuation in a Year One show, or Tawny’s project either.
It does seem like Paramount+ has a problem with drawing younger people - stuff aimed at younger demographics doesn’t seem to last long (with the exception of Spongebob). I always thought SFA’s success was a bit of a long shot for that reason.
And ironically, merging with HBO Max might actually help with that, but it won’t come soon enough.
Prodigy was amazing though.
Did a single person hear about it before the cancellation notice? Well, no. But it’s still somehow our fault that it was cancelled, and not their fault for utterly failing to promote it in any way.
Paramount+ is the new ‘Friday night time slot.’ If they actually gave a shit about having the show being successful, they would’ve syndicated it to a streaming service people actually use.
This is depressing, if accurate, in that it may also be a signal that the new owner is looking for a new production company to manage the franchise just when things had finally and consistently stabilized with Secret Hideout.
I’m sure they are, and suspect that this would be the trajectory regardless of Academy’s viewership. The new ownership will be looking to develop a new, more fascism-friendly flavour of Star Trek in the next few years. Tremendous shame, but not a surprise.
It seems that my initial reaction was overly hasty and upset.
As I just replied to another post, towards the end of the article, Variety says, citing an unnamed source:
According to an individual with knowledge of the situation, Kurtzman and CBS Studios are currently in talks for a new deal that will keep him in the CBS fold. In addition to his work on “Star Trek,” he has produced shows like the “Hawaii Five-O” reboot, “Scorpion,” and “Salvation.”
”…the show failed to find its significant audience.”
Put a show on a streamer that is targeting a completely different audience, and let the entitled vocal fans run wild with unchecked brigading, and then be surprised by low “crowdsourced” ratings.
Sigh.
This is depressing, if accurate, in that it may also be a signal that the new owner is looking for a new production company to manage the franchise just when things had finally and consistently stabilized with Secret Hideout.
I’m not hopeful for an SNW continuation in a Year One show, or Tawny’s project either.
It does seem like Paramount+ has a problem with drawing younger people - stuff aimed at younger demographics doesn’t seem to last long (with the exception of Spongebob). I always thought SFA’s success was a bit of a long shot for that reason.
And ironically, merging with HBO Max might actually help with that, but it won’t come soon enough.
Prodigy was amazing though.
Did a single person hear about it before the cancellation notice? Well, no. But it’s still somehow our fault that it was cancelled, and not their fault for utterly failing to promote it in any way.
Paramount+ is the new ‘Friday night time slot.’ If they actually gave a shit about having the show being successful, they would’ve syndicated it to a streaming service people actually use.
I’m sure they are, and suspect that this would be the trajectory regardless of Academy’s viewership. The new ownership will be looking to develop a new, more fascism-friendly flavour of Star Trek in the next few years. Tremendous shame, but not a surprise.
It seems that my initial reaction was overly hasty and upset.
As I just replied to another post, towards the end of the article, Variety says, citing an unnamed source:
Didn’t catch that either. I guess we’ll see if those talks actually go anywhere.
seems I was right. oh well…