Logline
An accident while investigating a time portal sends Ensigns Beckett Mariner and Bradward Boimler through time from the 24th century, and Captain Pike and his crew must get them back where they belong before they can alter the timeline.
Written by Kathryn Lyn & Bill Wolkoff
Directed by Jonathan Frakes
Poor Christine Chapel! Now she knows what the audience has always known: her relationship with Spock is ultimately doomed. Plus a delightful mix of guilt and fear that she could unwittingly cause Spock to never measure up to the vague but crucial future that Boimler mentioned to her in the turbolift, simply by trying to make the two of them happy.
That suuuuuucks.
I really didn’t expected the emotional moments, but they were all done so well
So Boimler inadvertently causes Nurse Chapel to end her relationship with Spock and encourage him to go back to T’Pring?
Predestination paradox. In fact the entire thing is likely a predestinaiton paradox. “Activated 120 years ago”, which is caused by the imager at “now”; the reason why the two can go back home is because Tendi told them about the version according to Orion and mentioned her great-grandma being the discoverer, which is what let the past Orion to recognize the truth and probably themselves assigned it to Tendi’s great-grandma?
…this little bit of cooperation between the Federation and the Orions probably improves their relationship a bit, which will eventually lead to Orions joining the Federation, which is how Tendi is friends with Boimler in the first place, which is how Boimler knows that not all Orions are pirates which is why Pike tones down his hostile response which gets them to a deal with the Orions which leads to…
Tendi just said her great-grandmother was on the ship that discovered it, not that she was the discoverer.
OMG! They managed to make that scene just so hilarious and poignant at the same time. Watching her facial expressions as she realizes what Boimler is telling her made me want to just scream at him to shut the fuck up and slap the shit out of him…but he’s just being dear sweet clueless Boimey. :(
Theme-wise, I think they’re setting up a comparison between Pike knowing his doom and Christine/Spock knowing their relationship is doomed. Knowing that, what do you do in the meantime?
Holy smokes, I can’t believe how awesome that thing was that I just watched. I’m awestruck at the talent it must have taken to pull it off so perfectly.
My favourite line in the whole thing is right at the end when Commander Jack Ransom (played by Jerry O’Connell) walks past the poster of Lieutenant commander Una Chin-Riley (played by Rebecca Romjin) and calls her “The hottest first officer in Starfleet history.”
For those who don’t know, the Jerry O’Connell and Rebecca Romjin are married to each other.
I thought it was weird and a touch sleazier than we normally see from Ransom, but out of universe that is very sweet!
I did not know this!! Thank you!!
Anyone else see Boimler do the Boim-walk to get away from Una the second time with Mariner there? I did not realize human hips could move like that.
Yes! I did the Dicaprio point at my tv when he started speedwalking.
My wife was crying she was laughing so hard from that. It was perfect.
Cracked me up, I laughed so hard at that part.
Or even just the way he was running to catch up with Mariner.
Loved having a Sunday morning cartoon 🖖
This episode was way better than it needed to be. I was genuinely moved seeing Una’s reaction to the knowledge of her being the “poster girl”, as well as the reaction of the Orion captain at the end.
Seeing Boimler and Mariner in this context really drives home how much Lower Decks is essentially “what if Trekkies could serve in Star Fleet” and it worked so well!
Especially the poster girl part being how she (and her lawyer) presented her self in the trial in ep2
Yes exactly! To Boimler it was a major and inspiring story out of history, but to Una it was a personal moment that happened only recently. Imagine being told something you did that you thought was relatively minor (and over) would inspire generations of people in the years to come. Her reaction was perfect.
That was amazing, on par with Trials and Tribble-ations for a crossover. Loved how well they integrated Boimler and Mariner without losing any of the character as LD has presented them.
This episode is one of the best episodes in the modern era of Trek, it’s lighthearted it’s funny it celebrates Trek and it’s done so tastefully that I genuinely have nothing bad to say about it. It reminds me of Trials and Tribble-ations.
Plus that line at the end where they tell Una ad astra per aspera and that’s why boimler joined Starfleet is just the right kind of emotions.
Honestly, they smashed it in this episode and ofc the 2d animated intro was chefs kiss.
This episode is one of the best episodes in the modern era of Trek, it’s lighthearted it’s funny it celebrates Trek and it’s done so tastefully that I genuinely have nothing bad to say about it. It reminds me of Trials and Tribble-ations.
Alex Kurtzman must have hated this episode, it is the exact opposite of what he wanted to do with Trek. Also why fans love it, because Alex was always wrong about what Trek is about and why it matters to the fans.
Why is it the exact opposite of what Alex Kurtzman wants to do?
Kurtzman wanted a serious dark tone that excluded humor, excluded science, and promoted how progressive the future would be. He selected a largely female-diverse cast and wrote that all white males would be stupid or evil in the script. Then he proceeded to change the look and style of Trek away from the established canon to whatever garbage he came up with. Maybe if the writing was better it could have worked but that writing was bad, very very bad. This was the age of discovery in Trek where Star Fleet was full of brave heroes. He wrote his characters to be weak, angry, or overly emotional. The cast of Strange New Worlds feels like Star Fleet, they can have emotions but they are written to understand the dangers they are in are part of why they are doing what they do. Exploration is dangerous, you need to have a backbone to survive it.
This is a good time to remind the group that we have zero tolerance for bigotry.
Every time I see someone write that new star trek has something against white males I already know you can’t be taken seriously.
Did you know that discovery has had more white male characters than DS9?
Yes, and look at those characters. Unless the character is gay, they are written to be negative or evil.
Not even remotely true, Stamets is one of the most hopeful characters in discovery.
Pike is also basically full on hopeful that every problem has a diplomatic solution.
There’s only ever been two negative characters and that was Lorca who was a good character regardless and that one ensign.
Hell James T Kirk is written really well as well.
He is gay which separates him.
I disagree. Trek has always been progressive, and that’s what the whole series is about: infinite diversity in infinite combinations. TOS had Chekov, a Russian on the bridge in an American show during the Cold War era. It had Uhura, a Black woman on the bridge at the age of segregation and institutional racism. It had Sulu, a Japanese man when Japanese American families were wrongly incarcerated only years ago in WWII. The founders of the Federation were from four different species and set aside differences to build a better union. It’s the bastion of progressivism, and a rebuke to conservatism and isolationism.
Let’s move on to the Berman era. The Federation is now what people like Tasha Yar look up to, after spending her childhood escaping rape gangs. What does the Federation stand for? Equality. We have Doctor and Data trying to be recognized as equals to sentient beings. We have Tasha Yar, a woman engineer, Kathryn Janeway, a woman captain, Kira Nerys, a woman Bajoran leader on DS9. Berman and his colleagues never seriously considered a man playing the captain of the Voyager. They also made women characters complex and gave us Seven of Nine and Kai Winn, who both have their own motivations and personal history that shape their characters. And who can forget the Sisko as the first Black captain leading a series and his realistic relationship with Jake?
Kurtzman is also the executive producer on SNW, so I’m not sure what you’re on about. Kurtzman carried on the Roddenberry vision of filling leading Trek roles with a diverse cast, SNW, LOW, PRO, and DIS included.
all white males would be stupid or evil in the script
I have no idea where you got that from. Is Stamets evil? Is Sarek evil? Is SNW Pike evil? Is Chief Kyle evil? Well, yes, very evil. The only evil white male character I can think of is mirror Lorca.
This was the age of discovery in Trek where Star Fleet was full of brave heroes. He wrote his characters to be weak, angry, or overly emotional.
I feel like you’re idolizing “heroes” as demigods in real life, much like how Christopher Columbus was celebrated, when in reality he committed genocide and enslaved generations of Native Americans. Heroes in Earth’s age of discovery were also humans. They had emotions, they had feelings, they cried, they had PTSD, they were angry, and some of them were weak. Some of them had egos that cost their lives (see Robert Scott’s expedition to the South Pole.)
I feel like the cast isn’t the issue and that it’s more about what you do with the cast that’s been a bit underwhelming at times. And he’s right about the lack of goofyness in modern trek and I’m glad it’s back in force with this season!
Oh hon, your entire arse is showing
Exploration is dangerous. That’s why you need a team you trust to give you the diverse perspective you need to survive it.
I cannot believe they had Boimler and Mariner move like physical cartoon characters and pulled it off that well, holy shit. We absolutely lost it when Boimler was tangled in the control panel
And him doing his walk away from Una the second time. And so many of Tawnie’s mannerisms like in the shuttle where she kinda strikes a pose before getting caught. And Quaid’s mannerisms and screaming with Spock in the lab.
Those two really worked to make realistic versions of the silliness they have in LDS and it was magnificent. I caught so much more on second watch.
Boimler exclaiming “RIKER” as he hopped on the saddle had me howling. Frakes is such a sport!
I saw somewhere that the actor improved that line which means he blurted it out with Riker standing right there which feels totally in line with the tone of the episode they were shooting. It’s funny to me on so many levels.
Yep, they confirm it in Ready Room. Apparently Frakes’ wife was dying from laughter watching the episode when that happened.
Frakes’ wife
For a moment in my head, I was wondering why you didn’t just say Deanna.
That honestly makes it’s so much better. I’d love to see a behind the scenes for this episode!
Definitely watch the Ready Room episode. They talk about a lot of this. I remember another interview where Tawnie Newsom, I think, talks about how Frakes, Quaid, and her just kinda took over the set because they were all nerding out, being silly, and improv-ing a bunch because that’s what they do on LDS.
They NAILED it. They, somehow, took the loving but self aware fan service of lower decks and jammed it into SNW which has been the most consistent reboot back to the core of this series. This was absolutely some of the best show writing I’ve seen in a very long time.
This 1000%
It really was perfectly done. I loved every minute of it.
I actually think Lower Decks is closer to the core of Star Trek than SNW. I mean, you couldn’t do a “the enterprise got pregnant” episode in SNW
SNW has been continually frustrating me by almost being great trek but continually falling short. Like, that prime directive episode on the forgetting planet was great, right up until the captain decided to flagrantly ignore the prime directive and destroy a culture’s individuality
Sooooo many people that never watched Lower Decks are going to be asking why there was a koala in the opening and I’m delighted by that.
“Why is he smiling? What does he know?”
I watched lower decks and I’m also confused
The universe is balanced on the back of a giant cosmic koala! WHY IS HE SMILING? WHAT DOES HE KNOW??
I think it’s s1e4 of lower decks
Thanks
I missed the koala! When does it show up in the intro?
Edit: found it at 6:46
Frakes is, in addition to an iconic Actor, the best Trek Director of the modern age. 11/10.
The danger with these “very special fun episodes” is that they can be confined to being just that. But what elevated this episode is how it used the time travel/crossover conceit to foreshadow, progress and pay off SNW character arcs, including Chapel and Spock’s ultimately doomed relationship (something that I’ve previously said could be incredibly poignant, if handled right), Number One’s legacy, and the way Pike confronts his fate. I hope the musical episode does the same.
The hidden line in the episode is that the crew knows they end up as historical icons of Starfleet and thus the line ‘I pretended to be somebody I wanted to be until finally I became that person. Or he became me.’ this applies to the crew now. It allows them to be more confident in their decisions and become the icons they are meant to be. This episode likely has one of the largest impacts on the character direction of the crew going forward.
They also tied in to Tendi’s story on LD (her constant reminding to people that Orions have a culture far beyond pirating), even though we didn’t see her in Live Action.
Are Orions now the designated species for calling out how essentialized Star Trek aliens tend to be? Because we have D’vana Tendi, the somewhat obscure Ensign Harral from Discovery, and now the crew of the D’var. You can argue the last one’s just an extension of Tendi’s character arc, but still, that’s three series that have touched on this.
TBH I think TNG did this very well with the Klingons (depending on who was writing the episode, of course). Like, some Klingons were Real Klingons™ but many others only gave lip service to those ideals and were actually as sneaky and cowardly as any other race. I think a lot of Worf’s inner conflict came from realizing and processing that fact.
And on the extreme end of that was the Duras family being more like the stereotypical Romulan (and even allying with them against their own people) than a Real Klingon™. It was disgusting how they managed to keep their house throughout the series, even though they were everything a Klingon wasn’t supposed to be.
The viewer naturally sympathizes with Worf and adopts his view of Klingon culture, but remember that he was raised by humans and most of his knowledge of Klingon culture came from very early childhood and books. Imagine a human child raised by another species whose knowledge of Human culture came from fairy tales and like Arthurian stories. He’d come to earth and be outraged that everyone isn’t following some virtuous code of chivalry. A politician broke his word? DUEL TO THE DEATH! That’s Worf.
There’s also the Orion on DS9 who likes to talk big game about being a pirate, but he’s actually from Cincinnati and has never pirated anything in his life
THAT WAS SO GOOOOOOOODDDDDD!!! Couldn’t stop smiling through that whole episode!!
They were perfect for their roles in live action as well. Love how they kept their cartoony energy.When they’re in the corridor and Boimler husslea off, and you see him walking a crazy walk in the background, that really cracked me up.
Section 31 speed walking!
You know the way Boimler was crawling under the communications panel, with his right legs at a 90 degree angle. It was just so perfect embodiment.
Frakes has directed two Orville episodes (so far), and arguably brought his experience over to SNW, as Boims and Mariner were fan[boy|girl]ing about, it had serious “Orville” vibes to it. I don’t think they could have picked a better director.
The bit where Ortegas and Uhura were gushing about the NX-01 crew and suddenly realizing that’s why their guests were gushing was priceless.
“What would come after the dash?”
And both Jack and Tawny crushed it as the live action versions of their characters. (Both were over-the-top, and that was the point).
I wonder if that “Riker!” Gag was improvised and if so, how long it had Frakes (and/or the crew) laughing.
The LD-style intro was chefs kiss perfect. The coda was, likewise, a perfect capstone.
Watch the Ready Room episode! The Riker was improvised!
I didn’t realize Frakes directed two of the Orville episodes, but makes a lot of sense. He did an amazing job bringing the charm of The Orville into this episode. RE: the intro…YES!!! I was about to skip it, but so happy I watched it. I loved the space-monster sucking on the ship! It is my favorite part of the LD intro, so happy to see it here.
